Jazz players often will play Dorian over minor progressions because of its brighter sound and Eb Dorian does not clash with either chord. A third option is to play Eb Dorian, another minor scale but with a M6 instead of an m6. Another is to play the Eb minor blues scale. One obvious choice is to play the Eb natural minor scale. If your purpose for learning this information is to know what to do when improvising over the A section, which is Ebm-Bbm, there are many options to choose from. The melody to the A section of Take 5 is based on what is called the “minor blues scale”, a minor pentatonic scale with an extra chromatic note added between the P4 and P5 notes (Eb Gb Ab A Bb Db). However they do not share the same tonal center so it is better to conceive of the song as being in Eb minor and use Eb as your tonal center. You are correct in your assumptions but here is a slight adjustment in your terminology: Eb minor (natural minor) is the relative minor of Gb major.
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